The first Deadpool movie was a fun and cheeky break from
the serious superhero films that were popular in the mid-2010s. With his irreverent
humor and tendency to break the fourth wall, Ryan Reynolds’ character, Wade
Wilson, felt like a rebellious element in the polished superhero world before Avengers:
Endgame.
Now, eight years later, the superhero landscape is more like a barren wasteland
from Mad Max: Fury Road. Reynolds’ wisecracking hero has moved
from being a maverick to a crucial part of a potential Marvel
comeback. When Deadpool calls himself ‘Marvel Jesus’ in this
wildly violent, time-hopping quest to save his friends and ex (Morena Baccarin,
who has a minor role), he’s not kidding. Deadpool & Wolverine
is not just a revival of the franchise but also a mismatched buddy film
featuring a new version of Hugh Jackman’s Wolverine. This
setup feels like a lot to handle for a character known for his sarcastic humor.
The film’s main villain has a TV-show quality. Matthew MacFadyen
plays a shady Time Variance Agent (like in Disney+’s Loki)
who’s intent on causing chaos across the multiverse for unclear reasons. The
movie asks viewers to enjoy its playful tone and absurdity, except for its
occasional emotional moments that feel out of place. Only Jackman,
with his gruff demeanor, keeps things somewhat grounded while interacting with
his talkative co-star.
Despite its awkward plot, there’s enough bloody action and
sharp humor in Deadpool & Wolverine to make it an
enjoyable watch in a lively cinema. Blake Lively, Reynolds’
wife, even gets a mention with a crude Deadpool joke. ‘There are 206 bones in
the human body,’ he says, ‘207 if I’m watching Gossip Girl.’
The movie includes several cameos — though the details are
under wraps, keep an eye out for an unexpected appearance involving Spam. The
film makes fun of Disney, Kevin Feige, the MCU,
and its previous home, 20th Century Fox, but the jokes lack
true rebelliousness. Deadpool humorously speculates about the chaos and
financial impact of teaming up with Wolverine, showing that someone clearly
gave it some thought.
The
movie’s big bad has a small-screen quality. Matthew MacFadyen channels
Succession’s slimy Tom Wambsgans as a rogue Time Variance Agent (Disney+ show
Loki is your course work here) hellbent on destroying swathes of the multiverse
for reasons I can’t begin to explain. It’s another winky performance in a movie
that asks you to take nothing seriously apart from its own moments of unearned
pathos. Only the gruff Jackman, grousing monosyllabically at his chatterbox
frenemy, keeps it grounded.
Still,
cumbersome plotting aside, there’s enough gory mayhem and genuine zingers to
make Deadpool & Wolverine a fun ride in a packed and up-for-it cinema. Even
Mrs Reynolds, Blake Lively, gets the dubious honour of a gross Deadpool aside.
‘There are 206 bones in the human body,’ he notes, ‘207, if I’m watching Gossip
Girl.’
Most of
that fun is in the string of cameos – lips are sealed, although look out for an
unexpected appearance from throwback meat product Spam – but the string of meta
digs at Disney, Kevin Feige, the MCU, and its lead characters’ former home,
20th Century Fox, have zero rebellious edge. ‘Can you imagine the chaos… the
residuals,’ jokes Deadpool of his team-up with Wolverine. Someone definitely
did.